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Courses 2009-2010

 

Another year of film, talking cinema, cinematic dreams, monologues, dialogues and adventures is upon us. This year's selection of subjects is varied going from cinema, the love of film, awareness and lack of awareness, revolutions, desires and cinematic surprises. The selection of films will introduces us to changing realities, paradoxes, and personal stories.

The films selected fot the Morning: Lecture's Choice meetings are a fascinating journey through cinema's masterpieces and thought provoking films. The Return, Synecdoche New York, All About My Mother, and The Cemetery Club are just a few examples. Some films are well known some will be a revelation to the audience. The 16 meetings will reveal to you "films" you have not seen before. It is the same "Mother", but the cinematic reading will expose the rich artistic and cinematic means Almodovar used. The discussion surrounding Sex & Lucia will cross familiar terms and allow a fresh look at basic cultural terms.

The annual course Psychology and Cinema will ask questions about awareness and lack of awareness. This course allows us to take the questions any films poses for us and answer them differently each year.

We will be traveling around the world, across the United States, Iran, and Latin America. This journey will be quite complex. Choosing the films for our course about American cinema was tough, as American cinema invented many genres, broke many boundaries, explored varied subjects eras, and phenomena, and brought us unforgettable directors, actors and performances. We chose to explore those who had marked time, culture and dialogue. Films and stories about slavery, the melting pot, dreams and liberty.

Iran behind the Vail has limited choice of films that made it to Israel. Iranian cinema bravely exposes intimate stories; a rich culture, the personal struggle and the successful artistry which manages to cross borders and evoke emotion.  

Movies in the Morning: Lectures Choice (Part 1)

Movies in the Morning: Lectures Choice (Part 1)

16 film lecturers analyze the most masterful, disturbing, thought-provoking, or moving film of their choice

8 meetings, Wednesday - every other week, 10:00-13:30

Movies in the Morning: Lecture's Choice (Part 2)

Movies in the Morning: Lecture's Choice (Part 2)

Part 2 of the course. 16 film lecturers analyze the most masterful, disturbing, thought-provoking, or moving film of their choice

 

8 meetings, Wednesday - every other week, 10:00-13:30

Psychology and Cinema

Psychology and Cinema

12 sessions about the unconscious, the subconscious, the conscious, and everything in etween - in life, on psychoanalysis, in the cinema.

 

Mondays 17:30-21:00, every other week 

Iran Beyond the Vail

Iran Beyond the Vail

8 sessions offering a direct look at a history of upheavals and contradictions

 

Sundays 10:00-13:00, every other week

The United States: The Star-Spangled Banner

The United States: The Star-Spangled Banner

8 sessions looking at the "land of the free and the home of the brave"

 

Sundays 10:00-13:00 every other week

Buene Vista Latin America in the Cinema

Buene Vista Latin America in the Cinema

6 sessions about an America of rebellions, desires, and magical realism

 

Mondays 20:00-23:00 every other week

Guided Viewing in Theater and Cinema

Guided Viewing in Theater and Cinema

14 sessions on "man in search of his destiny" (For teachers only)

 

Tuesdays 17:30-21:00 every other week

Preview Club

Every month the Cinematheque will hold guided screenings of new films prior to their release for screening to the general public. The film selected will be suitable for guided viewing and the lecture will focus upon the artistic messages and cinematic references to earlier cinematic classics.

Dates: 04.12.2009, 08.01.2010 , 05.02.2010 , 05.03.2010 , 09.04.2010 , 07.05.2010 , 04.06.2010

Scriptwriting Workshop

Moderated by the scriptwriter and director Omri Levi, whose films include Sand, Kinneret's Secrets and Miss Entebe

A series of weekly encounters (each session will be 3 hours long), during which the foundations of the scriptwriting idiom will be learned and practiced: concept development, synopsis writing, research, character development, selection of protagonist, selection of storytelling viewpoint, various cinematic genres, concrete writing, dialogue writing, etc. During the course, participants will write personal exercises at home each week, will develop and improve their writing ability toward writing a full script for a short film as a final workshop project. The course will be accompanied by presentations of segments of a wide variety of films. No prior experience is required, but curiosity and love of writing and film are essential.

16 meeting, sundays 18:00-21:00