Tuesday | 23.04.24

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Monthly Screenings

Mosfilm Presents

Mosfilm Studios was founded in 1924, following the unification and nationalization of two private studios founded before the 1917 Revolution. Over the past nine decades, the studio has led Soviet and Russian filmmaking and has been home to several great masters.

Jerusalem Cinematheque has enjoyed a warm relationship with Moscow’s Mosfilm Studios for many years. Thanks to the friendship of studio director Karen Shakhnazarov, we time and time again bestowed with a generous donation of several copies of these magnificent films to our archive. In this framework we’ve held a retrospective for Andrei Tarkovsky, a tribute to Anton Chekhov, a program dedicated to Soviet dance, and a program dedicated to Tolstoy.

This year, we are presenting a selection of the highlights of the Mosfilm - fantastic classics, all converted and restored to digital format. This is a wonderful opportunity to relive these masterpieces.

Our sincere thanks to Mosfilm Studios and to their director Karen Shakhnazarov for their friendship and cooperation. This is also an opportunity to mention our colleagues Margaret and Sasha Kleinman from Cinemateque’s Film Archive. This year they are retiring and this is a good opportunity to thank them for years of excellent work.

Screening in the presence of director and producer Karen Shakhnazarov

The Mirror

Dir.: Andrei Tarkovsky
| 106 minutes

In his most complex and personal work, Andrei Tarkovsky conveys the history of the Soviet Union. Melding the personal with the national and the universal, the film is constructed from personal episodes from the history of Russia. The result is a masterpiece with rare poetic power. 

Stalker

Dir.: Andrei Tarkovsky
| 161 minutes

Stark, eerie, cerebral story of a man called Stalker, who guides two intellectuals through the “Zone”, a mysterious, forbidden wasteland. A slow, beautiful masterpiece by the Russian genius. 

Ivan the Terrible

188 minutes

Eisenstein’s final epic recounts the story of the 16th century Tsar Ivan IV and his struggles to establish his rule. The great director began shooting the film after more than two years of research, having made sketches of every scene of the film. 

The Cranes Are Flying

Dir.: Mikhail Kalatozov
| 95 minutes

With her fiancé on the battlefront, Veronika must go on with her routine and wait for a sign of life as WWII rages on. A digitally-restored print of Mikhail Kalatozov’s Soviet masterpiece, winner of the Cannes Palme d’Or in 1958.

War and Peace

Dir.: Sergei Bondarchuk

An eight-hour, $100 million remarkable epic in which Bondarchuk uses the vast resources at his disposal to illustrate Tolstoy’s masterpiece. (Will be screened in to parts)

Moscow Does not Believe in Tears

Dir.: Vladimir Menshov
| 150 minutes

A trio of young women come to Moscow during the late 1950s to seek work and love. Vladimir Menshov’s melodrama beautifully captures the tensions between the social structure of the USSR and the personal aspirations of its heroines.

Alexander Nevsky

Dir.: Sergei Eisenstein
| 112 minutes

In 1938, Eisenstein finally managed to complete a feature film with sound. The timely subject he chose was the Russian hero who drove back the Teutonic hordes in the 12th century. Notable both for the set-piece battle on the ice and the magnificent score by Prokofiev.

The Ascent

Dir.: Larisa Schepitko
| 108 minutes

Survival and sacrifice, the value of life and ideology are some of the subjects Schepitko tackles in her adaptation on WWII stories by writer Vasil Bykov. The breathtaking black-and-white cinematography is only one of the reasons that makes The Ascent a masterpiece that should not be missed.

Solaris

Dir.: Andrei Tarkovsky
| 165 minutes

A group of Cosmonauts sent to explore a strange planet made of liquid gas, is stuck on their space station. After the mysterious death of their doctor, a psychologist is sent to investigate the death, as well as the mental problems of the cosmonauts.

Come and See

Dir.: Elem Klimov
| 154 minutes

German-occupied Belarus, 1943. Klimov’s hyper-realistic masterpiece describes the atrocities of war as seen through the eyes of a 15-year-old partisan.

City Zero

Dir.: Karen Shakhnazarov
| 103 minutes

An engineer is sent to an isolated city to meet the director of the company. From the start he encounters strange occurrences and things become stranger by the moment.